Hello, and welcome to Underwood Artworks.
I have constructed this web site as a set of portfolios that can introduce viewers (like you) to my work. I've been an artist for 30+ years, and I continue to evolve and make new work. Please click on the Portfolio links at the top of this page to have a look at some of my varied series of artworks. I make mixed-media artworks, composite photographs, drawings, and collages/assemblages. A lot of my work involves incorporating my own original photographs into mixed-media artworks or montage/composite photographs, with the intent of expanding the use of "the still photograph" as an instigator of meaning and as a facilitor of aesthetic and contextual possibilities. Thanks for having a look at some of my work.
Pictured here on this home page is one of my recent image/text artworks in my "Mixed Media Photographic Artworks" portfolio. This artwork was recently published in issue #26, October 2019, of The Hand Magazine ("The Magazine For Reproduction Based Art"). Other portfolios on this web site also have new and recent image/text works.
I am the editor (and publisher) of an anthology photography book which was released from Sapling Grove Press in June, 2015. Take a look at the diverse, innovative, and progressive work in our book, RICH COMMUNITY: AN ANTHOLOGY OF APPALACHIAN PHOTOGRAPHERS, which includes previously unpublished work from 82 contemporary Appalachian photographers. You may be surprised by the diversity and complexity of the work included in this important book.
This portfolio includes one-of-a-kind color composite photographs, mixed B&W and color photographs, and mixed-media photographic artworks. The more recent works in this series also include text within the artworks, just like the works in my 20" square and 36" square image/text series. When the component photographs are mounted on wood or plexiglass backings, the prints are often mounted with clear gloss acrylic medium on surfaces prepared with mulitple layers of colored acrylic, and then a layer or two of clear, UV-absorbing picture varnish is applied for longevity.
This portolio includes composite silver gelatin photographs and cyanotypes made with composite negatives. Some of these works have been produced in short editions of 2 to 10 identical (or nearly identical, as is the case with cyanotypes) copies, and the silver gelatin photographs are archivally dry-mounted on museum board in a traditional manner. Other artworks are one-of-a-kind originals, with silver gelatin photographs mounted onto a variety of backing materials. The silver gelatin photographs were printed in a traditional, analog darkroom. The cyanotypes were printed outdoors in UV sunlight, with contact negatives.
Throughout my career, I have made a variety of drawings, paintings, sculptures, and other mixed-media artworks in addition to my main body of work in photography/mixed-media. Similar to my work in other series, these works also explore issues of ambiguous content, repetition of form, multiples, various formal qualities, varieties of texture, and subtleties of color and contrast.